{"id":16925,"date":"2015-04-07T07:00:21","date_gmt":"2015-04-07T07:00:21","guid":{"rendered":"https:\/\/www.zatista.com\/blog\/?p=16925"},"modified":"2015-04-07T07:00:21","modified_gmt":"2015-04-07T07:00:21","slug":"debate-jeff-koons","status":"publish","type":"post","link":"https:\/\/www.zatista.co.nz\/blog\/2015\/04\/07\/debate-jeff-koons\/","title":{"rendered":"The Debate: Jeff Koons"},"content":{"rendered":"
\"\"<\/a>

Koons with the package. (Image courtesy Dom P\u00e9rignon)<\/p><\/div>\n

Let\u2019s take a second to contemplate a controversial viral artist: Jeff Koons.<\/p>\n

Known for his \u201cBalloon Dog\u201d series (among other things), which took the media by storm, Koons is a force to be reckoned with. His art has dabbled in subjects from\u00a0childhood cartoon characters and everyday objects to pop icon Michael Jackson. According to Art News<\/i><\/a>, \u201cStarting around 2000, at least a dozen Koons sculptures appeared at auction each year, a number that hit 43 works in 2005 (for a total sales value of $15.3 million), and a whopping 73 sculptures in 2008 (for a total sales value of $88.8 million).\u201d We know this man is popular, but to some it is an egregious popularity.<\/p>\n

Many critics call\u00a0his art kitsch. At first, viewers approach it with irony as if he is commenting on society\u2019s insatiable need for material things, but Koons says this is too much thought. The Sacramento Bee<\/i><\/a> quoted him saying, \u201cA viewer might at first see irony in my work … but I see none at all. Irony causes too much critical contemplation.\u201d<\/p>\n

\"\"<\/a>

Artist Jeff Koons speaks during an interview near his sculpture Michael Jackson and Bubbles. Last year, he became the most expensive living artist, too, when his Balloon Dog (Orange) sold for $58.4 million at auction<\/p><\/div>\n

The same article quotes Michael Kimmelman of The New York Times<\/i> saying Koons art is merely self promotion and hype that \u201ccharacterized the worst of the 1980s.\u201d The author of the article, Victoria Dalkey, more or less agrees with him. She says\u00a0Koons’ ceramic sculpture of Michael Jackson and his pet chimpanzee is, \u201cA tasteless, oversized glitzy figurine, it provoked a chuckle and then a wince. This was kitsch on a monumental level \u2013 kitsch elevated to the realm of high art.\u201d<\/p>\n

But Koons has divided the public. Some\u00a0believe his art spurs conversation and discussions of what art is. Cosmostock <\/i><\/a>writer, David Sobon, said,\u201dThe mere mention of his name stirs controversy, and that\u2019s great. Art should inspire debate and discussion. Monet and Van Gogh received death threats and, along with Picasso and Chagall, were ridiculed for their work.\u201d Throwing around art giants like Van Gogh and Picasso is a big deal. Does Koons deserve such a comparison?<\/p>\n

\"\"<\/a>

Jeff Koons, \u201cPlay-Doh,\u201d 1994-2014, polychromed aluminum, Bill Bell Collection Photo by Lee Rosenbaum<\/p><\/div>\n

The New York Times is a fan, so how can someone dismiss him? When Whitney exhibited \u201cJeff Koons: A Retrospective,\u201d featuring a 20-year project, \u201cPlay-doh,\u201d The New York Times<\/i><\/a> called the it an \u201calmost certain masterpiece whose sculptural pile of radiant chuks captures exactly the matted textures of the real thing.\u201d Granted, in the same sentences they compare it to a \u201cpsychedelic poop,\u201d so maybe there is room for another opinion.<\/p>\n

Cities and\u00a0businesses\u00a0have invested in Koons\u2019 success. According to the Wall Street Journal<\/i><\/a>,<\/i> Paris\u2019 Le Royal Monceau Hotel exhibits Jeff Koons\u2019 \u201cBalloon Venus\u201d even though it is not always in favor with its customers. General manager Serge Ethuin said, \u201cBut we like to take that risk\u2014we are really trying to sell emotion, and the art contributes to the emotional experience.\u201d<\/p>\n

\"\"<\/a>

A rendering of Jeff Koon’s Coloring Book sculpture at the Kings new arena. Photo: Sacramento Kings<\/p><\/div>\n

On March 11th, Sacramento City Council members voted unanimously to pay nearly $8 million for a Jeff Koons sculpture that will stand outside the new Kings Arena. The translucent, colorful piece called \u00a0\u201cColoring Book,\u201d is based on the Winnie the Pooh Character, Piglet. The cost of the piece is stirring up controversy within the community along with the apparent disregard for the work of other local artists. The Sacramento Bee\u2019s Ryan Lillis said, \u201cOpponents \u2013 including some of Sacramento\u2019s leading artists \u2013 mocked the choice, saying it has no connection to Sacramento, the city\u2019s culture or its triumphant struggle to keep the Kings in town.\u201d<\/p>\n

So, Koons. He and his work seem to be a giant dividing line for the art community. This, however, also seems to be no fault of his own. The world is contemplating what is considered relevant art in a world where memes are a form of satirical reporting and flash mobs are a form of guerilla marketing. Art and expression are changing. In defense of Koons, art changes as society does; his art may reflect a change we are seeing in the world and what society finds important. Then again, when new art comes over the horizon, society can deem it relevant, or\u00a0irrelevant. People\u00a0choose to make it important, so if Koons work is popping up across america, it must be relevant. Maybe, years from now, Koons\u2019 popularity will be just a blip on the art world timeline like Bieber is for pop music. The world is in the midst of making that decision, and a relevant, culturally important Koons seems to be coming out on top. For now.<\/p>\n","protected":false},"excerpt":{"rendered":"

Many critics call his art kitsch. 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